▎參展作品論述：
在現實生活中，因為遠方一片美好風景，被吸引而駐足觀看，彷彿踏入夢境般，靜靜地享受大自然流過身體的每一個感官知覺：陽光灑在肌膚上的刺痛、微風徐徐吹拂的溫柔，內心湧上心頭的感動。但閉上眼，所有視覺顏色的光譜化為烏有，腦中浮現某個時空裡，也出現一樣的那片風景，一切真實都被抽離，且重新組合對於愛與未知世界的想像。
創作靈感來自個人生命經驗與想像。某次出遊，望見一片令人心曠神怡的景色，彷彿走進超現實的虛幻維度裡，思考著，會不會有一天人類就可以將一片風景收藏起來，送給心愛的人。不知不覺打造成人工風景，並且給了一雙眼睛在裡面游走…
創作手法結合過去製作影像裝置與跨域劇場的經驗，試圖利用一鏡到底的鏡頭語言產生劇場電影感，透過視角流動與交融的畫面去呈現，讓手工場景不那麼真實，達到現場表演無法體會到的動態視覺語言。
In the physical world, one splendid view is in the distance. The landscape seems to draw someone into another surrealistic dream, and they tranquilly enjoys every sensory perception that nature flows through their body: the sting of the sun on the skin and the gentleness of the breeze blowing. The heart, as a result, is filled with emotions.
But the spectrum of all colours vanishes when that person closes their eyes. In a certain time and space, the same landscape appears in their mind. All reality is pulled away, and the imagination of love and the unknown world is reassembled.
Colourless Spectrum is inspired by the director, Chu-hsun’s personal experience and imagination. During a visit, he was drawn into a surrealistically illusory dimension by a refreshing and inspirational view, wondering what if humans could collect sceneries one day and present them to those we love. Therefore, an artificial landscape was made, and Chu-hsun let the audience travel through the visuals in the space he created.
Influenced by his previous experiences in multimedia installations and transdisciplinary theatre, Chu-hsun used the one-shot film technique to bring the visual encounter that cannot be experienced in live performances.