▎參展作品論述：
《無垠》為互動式影像裝置，即時捕捉觀者的身形位置後，幻化為影像動態變化。作品基於粒子生 成的演算，在不斷的交織、聚散中，試圖呈現類似黏菌的擴散、擾動的有機性。在宏觀層面上，人 類社會的演進似是具有思考、學習能力的共生菌群;在微觀層面上，個體自我膨脹後，邊界不斷解 離崩塌。 在作品中，觀者的存在不僅是一種被捕捉的數據，而是人為的、企圖干預的證明。這種紊亂的狀 態，某種程度上體現了人類對於科技的過度依賴。
” On the way ” is an interactive video installation that captures the viewer’s body position in real-time and transforms it into dynamic images. The work is based on particle generation algorithms and seeks to represent the organic diffusion and agitation of slime molds through continuous interweaving and coalescence. At the macro level, human society’s evolution appears to be akin to a symbiotic colony with the ability to think and learn, while at the micro level, individual self-expansion leads to the constant dissolution and collapse of boundaries.
In the artwork, the viewer’s presence is not just a captured data point but a deliberate attempt to intervene and guide the image’s changes. This chaotic state reflects some extent humans’ excessive reliance on technology.