▎參展作品論述：
《LIVE》藉由擷取展覽現場的影像，使得觀眾在空間中的身影如同幽靈，出現在像電腦桌面般不斷播放與關閉的影像檔案之中。
同時，該影像也會透過網路進行直播，並將印製直播網址的QR Code散佈到展場四周，邀請其他不在空間中的人一同成為觀看者，而這使得現場觀眾除了是觀者也成為了被觀看的角色。
試圖呼應當今社會與社群軟體中，無意間被捕捉上傳的關係，一種無時無刻在生產影像的狀態。
同時，該影像也會透過網路進行直播，並將印製直播網址的QR Code散佈到展場四周，邀請其他不在空間中的人一同成為觀看者，而這使得現場觀眾除了是觀者也成為了被觀看的角色。
試圖呼應當今社會與社群軟體中，無意間被捕捉上傳的關係，一種無時無刻在生產影像的狀態。
By capturing the real time images of the exhibition, the viewer’s presence in the space appears like a ghost in the video.
At the same time, the video is going to stream on the Internet, and the QR code with the live-streaming URL will be distributed to the surrounding space of the exhibition, to invite other people who are not in the space to become the viewers, which makes the audience not only the viewer but also the viewed. This work is attempted reflect the experience nowadays of being captured and uploaded, a state in which images are being produced all the time.